Title: To place our deeds: the African American community in Richmond, California, 1910-1963
Author: Moore, Shirley Ann Wilson 1947-
Published: University of California Press,  2000
Subjects: History | Californian and Western History | California and the West | African  American  Studies
Publisher's Description: To Place Our Deeds traces the development of the African American community in Richmond, California, a city on the San Francisco Bay. This readable, extremely well-researched social history, based on numerous oral histories, newspapers, and archival collections, is the first to examine the historical development of one black working-class community over a fifty-year period.Offering a gritty and engaging view of daily life in Richmond, Shirley Ann Wilson Moore examines the process and effect of migration, the rise of a black urban industrial workforce, and the dynamics of community development. She describes the culture that migrants brought with them - including music, food, religion, and sports - and shows how these traditions were adapted to new circumstances. Working-class African Americans in Richmond used their cultural venues - especially the city's legendary blues clubs - as staging grounds from which to challenge the racial status quo, with a steadfast determination not to be "Jim Crowed" in the Golden State.As this important work shows, working-class African Americans often stood at the forefront of the struggle for equality and were linked to larger political, social, and cultural currents that transformed the nation in the postwar period.   [brief]
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Title: God, Harlem U.S.A.: the Father Divine story
Author: Watts, Jill
Published: University of California Press,  1992
Subjects: History | United States History | Christianity | American Studies | African  American  Studies | African Studies
Publisher's Description: How did an African-American man born in a ghetto in 1879 rise to such religious prominence that his followers addressed letters to him simply "God, Harlem U.S.A."?Using hitherto unknown materials, Jill Watts portrays the life and career of one of the twentieth century's most intriguing religious leaders, Father Divine. Starting as an itinerant preacher, Father Divine built an unprecedented movement that by the 1930s had attracted followers across the nation and around the world. As his ministry grew, so did the controversy surrounding his enormous wealth, flamboyant style, and committed "angels" - black and white, rich and poor alike.Here for the first time a full account of Father Divine's childhood and early years challenges previous contentions that he was born into a sharecropping family in the deep South. While earlier biographers have concentrated on Father Divine's social and economic programs, Watts focuses on his theology, which gives new meaning to secular activities that often appeared contradictory. Although much has been written about Father Divine, God, Harlem U.S.A . finally provides a balanced and intimate account of his life's work.   [brief]
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Title: Race music: black cultures from bebop to hip-hop
Author: Ramsey, Guthrie P
Published: University of California Press,  2003
Subjects: Music | American Music | American Studies | Popular Music | United States History | Ethnomusicology | African  American  Studies
Publisher's Description: This powerful book covers the vast and various terrain of African American music, from bebop to hip-hop. Guthrie P. Ramsey, Jr., begins with an absorbing account of his own musical experiences with family and friends on the South Side of Chicago, evoking Sunday-morning worship services, family gatherings with food and dancing, and jam sessions at local nightclubs. This lays the foundation for a brilliant discussion of how musical meaning emerges in the private and communal realms of lived experience and how African American music has shaped and reflected identities in the black community. Deeply informed by Ramsey's experience as an accomplished musician, a sophisticated cultural theorist, and an enthusiast brought up in the community he discusses, Race Music explores the global influence and popularity of African American music, its social relevance, and key questions regarding its interpretation and criticism. Beginning with jazz, rhythm and blues, and gospel, this book demonstrates that while each genre of music is distinct - possessing its own conventions, performance practices, and formal qualities - each is also grounded in similar techniques and conceptual frameworks identified with African American musical traditions. Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940s elicited an Afro-modernism that inspired much of the music and culture that followed. Race Music illustrates how, by transcending the boundaries between genres, black communities bridged generational divides and passed down knowledge of musical forms and styles. It also considers how the discourse of soul music contributed to the vibrant social climate of the Black Power Era. Multilayered and masterfully written, Race Music provides a dynamic framework for rethinking the many facets of African American music and the ethnocentric energy that infused its creation.   [brief]
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Title: Miles and me
Author: Troupe, Quincy
Published: University of California Press,  2000
Subjects: Music | African  American  Studies | Autobiographies and Biographies | Contemporary Music | Jazz
Publisher's Description: Quincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistic and personal. As Davis's collaborator on Miles: The Autobiography, Troupe--one of the major poets to emerge from the 1960s--had exceptional access to the musician. This memoir goes beyond the life portrayed in the autobiography to describe in detail the processes of Davis's spectacular creativity and the joys and difficulties his passionate, contradictory temperament posed to the men's friendship. It shows how Miles Davis, both as a black man and an artist, influenced not only Quincy Troupe but whole generations. Troupe has written that Miles Davis was "irascible, contemptuous, brutally honest, ill-tempered when things didn't go his way, complex, fair-minded, humble, kind and a son-of-a-bitch." The author's love and appreciation for Davis make him a keen, though not uncritical, observer. He captures and conveys the power of the musician's presence, the mesmerizing force of his personality, and the restless energy that lay at the root of his creativity. He also shows Davis's lighter side: cooking, prowling the streets of Manhattan, painting, riding his horse at his Malibu home. Troupe discusses Davis's musical output, situating his albums in the context of the times--both political and musical--out of which they emerged. Miles and Me is an unparalleled look at the act of creation and the forces behind it, at how the innovations of one person can inspire both those he knows and loves and the world at large.   [brief]
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Title: L.A. city limits: African American Los Angeles from the Great Depression to the present
Author: Sides, Josh 1972-
Published: University of California Press,  2004
Subjects: History | African  American  Studies | Urban Studies | Californian and Western History | California and the West
Publisher's Description: In 1964 an Urban League survey ranked Los Angeles as the most desirable city for African Americans to live in. In 1965 the city burst into flames during one of the worst race riots in the nation's history. How the city came to such a pass - embodying both the best and worst of what urban America offered black migrants from the South - is the story told for the first time in this history of modern black Los Angeles. A clear-eyed and compelling look at black struggles for equality in L.A.'s neighborhoods, schools, and workplaces from the Great Depression to our day, L.A. City Limits critically refocuses the ongoing debate about the origins of America's racial and urban crisis. Challenging previous analysts' near-exclusive focus on northern "rust-belt" cities devastated by de-industrialization, Josh Sides asserts that the cities to which black southerners migrated profoundly affected how they fared. He shows how L.A.'s diverse racial composition, dispersive geography, and dynamic postwar economy often created opportunities - and limits - quite different from those encountered by blacks in the urban North.   [brief]
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Title: Silence at Boalt Hall: the dismantling of affirmative action 
Author: Guerrero, Andrea 1970-
Published: University of California Press,  2002
Subjects: American Studies | Anthropology | Sociology | African  American  Studies | Asian American Studies | Politics | Gender Studies | Law | Politics | Politics
Publisher's Description: In 1995, in a marked reversal of progress in the march toward racial equity, the Board of Regents voted to end affirmative action at the University of California. One year later the electorate voted to do the same across the state of California. Silence at Boalt Hall is the thirty-year story of students, faculty, and administrators struggling with the politics of race in higher education at U.C. Berkeley's prestigious law school - one of the first institutions to implement affirmative action policies and one of the first to be forced to remove them. Andrea Guerrero is a member of the last class of students admitted to Boalt Hall under the affirmative action policies. Her informed and passionate journalistic account provides an insider's view into one of the most pivotal and controversial issues of our time: racial diversity in higher education. Guerrero relates the stories of those who benefited from affirmative action and those who suffered from its removal. She shows how the "race-blind" admission policies at Boalt have been far from race-neutral and how the voices of underrepresented minority students have largely disappeared. A hushed silence - the silence of students, faculty, and administrators unwilling and unable to discuss the difficult issues of race - now hangs over Boalt and many institutions like it, Guerrero claims. As the legal and sociopolitical battles over affirmative action continue on a number of consequential fronts, this book provides a rich and engrossing perspective on many facets of this crucial question.   [brief]
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Title: Female subjects in black and white: race, psychoanalysis, feminism
Author: Abel, Elizabeth
Published: University of California Press,  1997
Subjects: Literature | African  American  Studies | Gender Studies | Literary Theory and Criticism | American Literature | GayLesbian and Bisexual Studies
Publisher's Description: This landmark collaboration between African American and white feminists goes to the heart of problems that have troubled feminist thinking for decades. Putting the racial dynamics of feminist interpretation center stage, these essays question such issues as the primacy of sexual difference, the universal nature of psychoanalytic categories, and the role of race in the formation of identity. They offer new ways of approaching African American texts and reframe our thinking about the contexts, discourses, and traditions of the American cultural landscape. Calling for the racialization of whiteness and claiming that psychoanalytic theory should make room for competing discourses of spirituality and diasporic consciousness, these essays give shape to the many stubborn incompatibilities - as well as the transformative possibilities - between white feminist and African American cultural formations.Bringing into conversation a range of psychoanalytic, feminist, and African-derived spiritual perspectives, these essays enact an inclusive politics of reading. Often explosive and always provocative, Female Subjects in Black and White models a new cross-racial feminism.   [brief]
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Title: Race and the invisible hand: how white networks exclude black men from blue-collar jobs
Author: Royster, Deirdre A. (Deirdre Alexia) 1966-
Published: University of California Press,  2003
Subjects: Sociology | American Studies | Anthropology | Economics and Business | Urban Studies | Public Policy | African  American  Studies | Urban Studies | Public Policy
Publisher's Description: From the time of Booker T. Washington to today, and William Julius Wilson, the advice dispensed to young black men has invariably been, "Get a trade." Deirdre Royster has put this folk wisdom to an empirical test - and, in Race and the Invisible Hand, exposes the subtleties and discrepancies of a workplace that favors the white job-seeker over the black. At the heart of this study is the question: Is there something about young black men that makes them less desirable as workers than their white peers? And if not, then why do black men trail white men in earnings and employment rates? Royster seeks an answer in the experiences of 25 black and 25 white men who graduated from the same vocational school and sought jobs in the same blue-collar labor market in the early 1990s. After seriously examining the educational performances, work ethics, and values of the black men for unique deficiencies, her study reveals the greatest difference between young black and white men - access to the kinds of contacts that really help in the job search and entry process.   [brief]
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Title: Strangers at the gates: new immigrants in urban America
Author: Waldinger, Roger David
Published: University of California Press,  2001
Subjects: Sociology | American Studies | Anthropology | Urban Studies | African  American  Studies | Asian American Studies | Latino Studies | Labor Studies | Social Problems | Immigration
Publisher's Description: Immigration is remaking the United States. In New York, Los Angeles, Miami, San Francisco, and Chicago, the multiethnic society of tomorrow is already in place. Yet today's urban centers appear unlikely to provide newcomers with the same opportunities their predecessors found at the turn of the last century. Using the latest sources of information, this hard-hitting volume of original essays looks at the nexus between urban realities and immigrant destinies in these American cities. Strangers at the Gates tells the real story of immigrants' prospects for success today and delineates the conditions that will hinder or aid the newest Americans in their quest to get ahead. This book stresses the crucial importance of understanding that immigration today is fundamentally urban and the equally important fact that immigrants are now flocking to places where low-skilled workers--regardless of ethnic background--are in particular trouble. These two themes are at the heart of this book, which also covers a range of provocative topics, often with surprising findings. Among the essayists, Nelson Lim enters the controversy over whether and how immigrants affect the employment prospects for African Americans; Mark Ellis investigates whether low immigrant wages depress other workers' salaries; William A.V. Clark contends that immigrants seem to be experiencing downward mobility; and Min Zhou asserts that trends among second-generation immigrants are decidedly more optimistic. These well-integrated and well-organized essays sit squarely at the intersection of sociology and economics, and along the way they point out both the strengths and the weaknesses of these two disciplines in understanding immigration. Providing a theoretically and empirically comprehensive overview of the economic fate of immigrants in major American cities, this book will make a major contribution to debates over immigration and the American future.   [brief]
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Title: California soul: music of African Americans in the West
Author: DjeDje, Jacqueline Cogdell
Published: University of California Press,  1998
Subjects: Music | African  American  Studies | American Studies | California and the West | Californian and Western History | United States History | Contemporary Music | Jazz
Publisher's Description: This new series, co-sponsored with The Center for Black Music Research of Columbia College, seeks to increase our understanding of black music genres and their importance to the cultures of the Atlantic world, including their influence on African musical styles. Books in the series will examine the wide-ranging music of the African diaspora - including the folk-derived musical styles of the Americas as well as European-influenced concert hall music of the entire black Atlantic world - by analyzing issues critical to our interpretation of the music itself and exploring the relationships between music and the other black expressive arts.Focusing on blues, jazz, gospel, rhythm and blues, and soul music, California Soul is one of the first books to explore the rich musical heritage of African Americans in California. The contributors describe in detail the individual artists, locales, groups, musical styles, and regional qualities, and the result is an important book that lays the groundwork for a whole new field of study. The essays draw from oral histories, music recordings, newspaper articles and advertisements, as well as population statistics to provide insightful discussions of topics like the California urban milieu's influence on gospel music, the development of the West Coast blues style, and the significance of Los Angeles's Central Avenue in the early days of jazz. Other essays offer perspectives on how individual musicians have been shaped by their African American heritage, and on the role of the record industry and radio in the making of music. In addition to the diverse range of essays, the book includes the most comprehensive bibliography now available on African American music and culture in California.   [brief]
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Title: I heard it through the grapevine: rumor in African-American culture
Author: Turner, Patricia 1955-
Published: University of California Press,  1993
Subjects: Ethnic Studies | Sociology | African  American  Studies | Anthropology | American Studies | Folklore and Mythology | Popular Culture
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